Last night, I dreamed my naked foot. It seemed like with the infatuation with the childhood, foot festively ran, kissing the land of nature. They kissed the soil, the desert, the grassland with bushiness, and the calm and gentle ocean under the night sky.

    The moon lights up at sea at this moment. Ripples glitter on the surface of ocean slightly, as if they are telling the countless dreams that rush out constantly. Running foot stops in front of the fantastic and wonderful scene, staying unconsciously. A kind of moving tidewater covers the side boundary of the vision.

At this moment, I am standing here with the happy feeling of solitude, looking at sea growing, moonlight growing, and myself growing, becoming a large and glorious coral in tidewater like the look that I dreamt as a child.

    The dense mist of early morning begins to brew. It quietly pervades in the role of warm, bright, and sweet song that sings out the rhapsody at the moment that seems to be forgotten during sleeping of so many years.

    The song leads you to shuttle forth and back in the shadow of your dream, in the split of seconds and in the domain of the region, making a joyful journey. Such an album is enchanting simply, sad calmly, and also forgets elegantly, making the hopeless wait becoming happy eternity. It selects out those that are the most beautiful, most original in the history of human music and those pieces from this or that nation, and those from foreign countries and nations. Those people far away from us praise the romantic themes and the love and miss under their own sky, making use of these melodies.

    Strange? So near and so far, so ancient and so modern, each person experiences the same love, hate, angry, and gain and loss. The sea is withered, the rocks are crumbled, the person leaves, but the song is still sung. Imagine on the grassland of Mongolia, the horse bows and grazes, the young grazing girls moans ‘Nuo En Ji Ya’, the melody that is came down for several generations. She doesn’t know she has become the part of the scene that is described in the song, and also not sure whether she would sing such a song any more with the eyeful of tears after 10 years. Now, she hums the ignorant song without expression just because she is familiar with the song.

    You, with the ample experience, read out the stories that are difficult to wear away from the melody. The folk rhyme is voluminous. The album selects out the melody of 12 distinctive folk rhymes from China and foreign countries with the theme of ‘world folk rhyme’, like looking for a needle in the ocean, choosing one from hundreds. Only selecting songs spent one year. We choose one or two from several thousands folk rhymes of each domain. The final recorded 12 songs of album not only include the foreign feelings of Ireland, Sweden, India, Russia, but also the most featured national appeal of Xinjiang, Tibet, Sichuan, Inner Mongol, Guangxi and so forth. Do not dare to absurdly claim that these songs collect the marrow of music from all nations, but should be featured, beautiful and charming.

    The album invites five musicians with completely different style to anew edit, reserving the pure, beautiful, innocent state of theses folk rhymes to a great extent and refining on the details with the magnificent of human culture. The melodies keep the strong characteristics of a certain region, meanwhile express the warm and deep feeling of a big theme of human music. Irish folk rhyme ‘moonlight on the birch wooden boat’ inclines to inherit and sublime the melody and artistic conception of the original song. Melancholy cannot be wiped although in the quiet, deserted and fairy sky; Swedish folk rhyme ‘strolling’ creates out the soft and leisure artistic condition by the instruments of guitar, Kangjia Drum, Bamboo flute and sand hammer in a simple way. All adaptations in album do not harm the strong characteristics of domains and nations of the original song, also strengthen the individual feature of each folk rhyme and surmount the common appearance of the pure national characteristic, making use of the skill of compiling the song and arranging the instruments. No matter from which domains and nations, different instruments and music elements from all parts of the world collide fantastically, unconstrainedly daubing the fashion music color with intension. 

    In Xinjiang folk rhyme ‘Qi Manni—Garden’, the interweaved expression with the strong feeling by Aijieke and Folamenge style of the guitar are touching in heart. Russian folk rhyme ‘everlasting and unchanging feeling between two goose’ collocate skillfully the guitar, accordion, and the musical instrument with Xinjiang feature—Re wapu, filling the full humor and wit. In Sichuan folk rhyme ‘looking into green hill in the distance’, the electrical music and women chorus collide together, giving a picture of rolling mountain that are disconsolate and expecting. Tibet folk rhyme ‘remembrance of the snow lake’ promotes out the unique sensation and surprising space sense from the general homesick feeling. The originality and deep feeling of Inner Mongol folk rhyme ‘wing of the little hawk’ is pleasantly surprising, making people cannot stopping hearing all the time.

    The singer fully manifests the folk rhyme queen’s predominant charm as the expresser of these appealing melodies. Strong individual character distinction of folk rhyme’s own style from different nations and various personalities of many kinds music elements are combined together in her singing. She flexibly controls the style and skill of folk rhymes of different regions, wandering the music of various nations but keeps the original limpid and soft sound essence in her album of several minutes. Her soft singing makes people moving for each time.

If it is just after the noon, if the sunshine among the shadow of the trees brings you the tipsy warm, then just dreamily walk in the song at this moment and wait for soul waking up, like a rebirth.